{"id":937,"date":"2010-11-10T11:13:50","date_gmt":"2010-11-10T10:13:50","guid":{"rendered":"http:\/\/blog.cine.com\/hildy\/2010\/11\/10\/coctel-de-cine-2\/"},"modified":"2010-11-10T11:13:50","modified_gmt":"2010-11-10T10:13:50","slug":"coctel-de-cine-2","status":"publish","type":"post","link":"https:\/\/hildyjohnson.es\/?p=937","title":{"rendered":"C\u00f3ctel de cine"},"content":{"rendered":"<p><strong><span>Su seguro servidor, Orson Welles<\/span><\/strong><\/p>\n<p><strong><span><\/span><\/strong><span>Ayer fui al teatro de Bellas Artes para ver a Jos\u00e9 Mar\u00eda Pou y su transmutaci\u00f3n en Orson Welles. La obra es un mon\u00f3logo donde nos encontramos con la personalidad compleja de Welles. Mon\u00f3logo escrito por Richard France. Transcurre en un estudio de radio donde el realizador al final de su vida se ganaba el sustento grabando cu\u00f1as publicitarias. Espera una llamada de Spielberg para ver si le financia el Quijote\u2026 entre cu\u00f1a y cu\u00f1a surgen los recuerdos de su vida y como de genio fue cuesta abajo hasta convertirse en un hombre fracasado y olvidado que sin embargo sigue moviendo monta\u00f1as para terminar sus proyectos. As\u00ed el mon\u00f3logo est\u00e1 lleno de referencias, personajes hist\u00f3ricos y an\u00e9cdotas que repasan la vida de un hombre polifac\u00e9tico que tuvo su hueco inmortal en la radio, en el teatro, en el cine, en el mundo de la magia, y que no era s\u00f3lo excesivo en su tama\u00f1o sino en cada uno de los aspectos de su vida. El testigo de su verborrea no es s\u00f3lo el espectador de la sala sino un t\u00e9cnico de radio que le escucha pero tambi\u00e9n tiene claro que tiene que terminar su trabajo\u2026 a pesar de las batallitas\u2026 (\u00a1Benditas batallitas!). Aunque he de confesar que iba tan ilusionada y dispuesta a la emoci\u00f3n que me qued\u00e9 un poco fr\u00eda aunque muy interesada\u2026 La obra es Pou, sin \u00e9l y su transformaci\u00f3n poco sentido tiene.<\/span><\/p>\n<p><span><\/span><strong><span>M\u00e1s reflexiones sobre la risa despu\u00e9s de <em>El nombre de la Rosa<\/em><\/span><\/strong><\/p>\n<p><strong><span><\/span><\/strong><span>Hacia a\u00f1os, vamos desde su estreno, que no ve\u00eda <em>El nombre de la Rosa<\/em> y he de decir que volv\u00ed a disfrutarla y a entenderla m\u00e1s. La mayor carencia que tengo es que no he le\u00eddo el libro de Eco pero fij\u00e1ndome s\u00f3lo en la pel\u00edcula me sorprendi\u00f3 sobre todo en su reflexi\u00f3n sobre la risa (despu\u00e9s de que \u00faltimamente estoy pensado mucho en ella). La risa como poder subversivo, como puerta de conocimiento y libertad, como terapia de alejamiento del miedo\u2026 Todos los misterios de esa agobiante Abad\u00eda y sus asesinatos tienen mucho que ver con impedir la risa en un mundo negro habitado por la ignorancia en la etapa oscura de la Edad Media. Otro de los aspectos que me encant\u00f3 al volver a verla es ese continuo hincapi\u00e9 en una sensualidad oscura y agobiante en un ambiente castrante. Durante todo el metraje lo sexual est\u00e1 presente de manera brutal.<\/span><\/p>\n<p><span><\/span><strong><span>Marilyn Monroe, m\u00e1s presente que nunca<\/span><\/strong><\/p>\n<p><strong><span><\/span><\/strong><span>Ahora mismo resulta que hay varios proyectos cinematogr\u00e1ficos para llevar a la pantalla la vida de la venus rubia del cine. Quiz\u00e1 el que m\u00e1s llama mi atenci\u00f3n es la adaptaci\u00f3n cinematogr\u00e1fica de la novela de Joyce Carol Oates, <em>Blonde<\/em>. Y es que adoro a esta novelista. La novela todav\u00eda no la he le\u00eddo, espero hacerlo antes de que se estrene la pel\u00edcula.<\/span><\/p>\n<p><span><\/span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><font face=\"Times New Roman\" color=\"#000000\">Esta obra est\u00e1 bajo una <\/font><a target=\"_blank\" href=\"http:\/\/creativecommons.org\/licenses\/by-nc-nd\/3.0\/es\/\"><span><font face=\"Times New Roman\" color=\"#0066cc\">licencia de Creative Commons<\/font><\/span><\/a>.<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span> <\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n<p><\/span><span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Su seguro servidor, Orson Welles Ayer fui al teatro de Bellas Artes para ver a Jos\u00e9 Mar\u00eda Pou y su transmutaci\u00f3n en Orson Welles. La obra es un mon\u00f3logo donde nos encontramos con la personalidad compleja de Welles. Mon\u00f3logo escrito &hellip; <a href=\"https:\/\/hildyjohnson.es\/?p=937\">Sigue leyendo <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[1],"tags":[],"class_list":["post-937","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"jetpack_publicize_connections":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.3 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>C\u00f3ctel de cine - El blog de Hildy Johnson<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/hildyjohnson.es\/?p=937\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"C\u00f3ctel de cine - El blog de Hildy Johnson\" \/>\n<meta property=\"og:description\" content=\"Su seguro servidor, Orson Welles Ayer fui al teatro de Bellas Artes para ver a Jos\u00e9 Mar\u00eda Pou y su transmutaci\u00f3n en Orson Welles. 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