{"id":375,"date":"2008-07-10T23:31:41","date_gmt":"2008-07-10T22:31:41","guid":{"rendered":"http:\/\/blog.cine.com\/hildy\/2008\/07\/10\/diccionario-cinematografico-71\/"},"modified":"2008-07-10T23:31:41","modified_gmt":"2008-07-10T22:31:41","slug":"diccionario-cinematografico-71","status":"publish","type":"post","link":"https:\/\/hildyjohnson.es\/?p=375","title":{"rendered":"Diccionario cinematogr\u00e1fico (71)"},"content":{"rendered":"

Tren: <\/span><\/strong>si miramos a nuestra querida RAE nos dice que un tren es un \u201c<\/span>medio de transporte que circula sobre ra\u00edles, compuesto por uno o m\u00e1s vagones arrastrados por una locomotora\u201d.<\/span><\/span>\u00a0<\/p>\n

<\/span><\/span>Sin embargo, si miramos al tren cinematogr\u00e1fico es uno de los escenarios que m\u00e1s juego da en el mundo del celuloide.<\/span><\/span>\u00a0<\/p>\n

<\/span><\/span>El tren es el lugar de enamoramiento y encuentro. O las estaciones los lugares de despedida o de comienzo de una nueva aventura sentimental.<\/span><\/span>\u00a0<\/p>\n

<\/span><\/span>El tren es el escenario del misterio, de la persecuci\u00f3n o el asesinato.<\/span><\/span>\u00a0<\/p>\n

<\/span><\/span>El tren es el comienzo de un viaje, el sitio de aprendizaje, la oportunidad de conocer nuevos paisajes, nuevos mundos.<\/span><\/span>\u00a0<\/p>\n

<\/span><\/span>El tren es lo que separa el viejo y el nuevo mundo en el cine del Oeste. Es la v\u00eda de las comunicaciones.<\/span><\/span>\u00a0<\/p>\n

<\/span><\/span>En el tren tambi\u00e9n hay sitio para el horror y la guerra.<\/span><\/span>\u00a0<\/p>\n

<\/span><\/span>Pon un tren en una pel\u00edcula, y tienes asegurada una escena.<\/span><\/span>\u00a0<\/p>\n

<\/span><\/span>\u00bfCon faldas y a lo loco<\/em> ser\u00eda lo mismo sin esa party en el tren?<\/span><\/span>\u00a0<\/p>\n

<\/span><\/span>\u00bfBreve encuentro<\/em> o Estaci\u00f3n Termini <\/em>o El expreso de Shangai <\/em>contar\u00edan esas historias de amor exacerbado con la misma intensidad sin contar con los relojes de las estaciones, con los vagones o con los largos pasillos?<\/span><\/span>\u00a0<\/p>\n

<\/span><\/span>\u00bfEl Oeste de Dos hombres y un destino<\/em> o de S\u00f3lo ante el peligro<\/em> tendr\u00edan la misma emoci\u00f3n sin las estaciones y trenes?<\/span><\/span>\u00a0<\/p>\n

<\/span><\/span>\u00bfEl misterio, el asesinato, la inquietud y el horror estar\u00edan tan bien encadenados en Con la muerte en los talones, Extra\u00f1os en un tren<\/em> o Asesinato en el Orient Express <\/em>si no fuera por el juego que dan los distintos personajes en los distintos vagones y departamentos?<\/span><\/span>\u00a0<\/p>\n

<\/span><\/span>\u00bfNo vemos la belleza y el enamoramiento de un paisaje africano en ese viaje que emprende Karen Blixen en Memorias de \u00c1frica<\/em>?<\/span><\/span>\u00a0<\/p>\n

<\/span><\/span>\u00bfLas screwball comedies no tienen escenas de surrealismo divertido en esas escenas en trenes de la diversi\u00f3n como Medianoche<\/em>, Una mujer para dos<\/em>, Las tres noches de Eva<\/em> o Un marido rico<\/em>?<\/span><\/span>\u00a0<\/p>\n

<\/span>\u00bfEl horror de la guerra no est\u00e1 mostrado en escenas tremendas al bordo de un tren en pel\u00edculas como La lista de Schindler <\/em>o El tren<\/em>? <\/span>\u00a0<\/p>\n

<\/span>\u00bfEntender\u00edamos igual la depresi\u00f3n o el crack de los a\u00f1os 30 sin los sin hogar que suben como polizones en los trenes como en la dura El emperador del norte<\/em>?<\/span>\u00a0<\/p>\n

<\/span>\u00bfAlguien olvida el viaje en tren de Juan Nadie <\/em>o de Longfellow Deeds en El secreto de vivir?<\/em><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Tren: si miramos a nuestra querida RAE nos dice que un tren es un \u201cmedio de transporte que circula sobre ra\u00edles, compuesto por uno o m\u00e1s vagones arrastrados por una locomotora\u201d.\u00a0 Sin embargo, si miramos al tren cinematogr\u00e1fico es uno … Sigue leyendo →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[1],"tags":[],"class_list":["post-375","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"jetpack_publicize_connections":[],"yoast_head":"\nDiccionario cinematogr\u00e1fico (71) - 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