{"id":1194,"date":"2011-09-21T12:12:11","date_gmt":"2011-09-21T10:12:11","guid":{"rendered":"http:\/\/hildyjohnson.es\/?p=1194"},"modified":"2011-09-21T12:12:11","modified_gmt":"2011-09-21T10:12:11","slug":"diccionario-cinematografico-164","status":"publish","type":"post","link":"https:\/\/hildyjohnson.es\/?p=1194","title":{"rendered":"Diccionario cinematogr\u00e1fico (164)"},"content":{"rendered":"<p><strong><a href=\"https:\/\/i0.wp.com\/hildyjohnson.es\/wp-content\/uploads\/2011\/09\/elvelopintado.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-1195\" title=\"elvelopintado\" src=\"https:\/\/i0.wp.com\/hildyjohnson.es\/wp-content\/uploads\/2011\/09\/elvelopintado-300x199.jpg?resize=300%2C199\" alt=\"\" width=\"300\" height=\"199\" srcset=\"https:\/\/i0.wp.com\/hildyjohnson.es\/wp-content\/uploads\/2011\/09\/elvelopintado.jpg?resize=300%2C199&amp;ssl=1 300w, https:\/\/i0.wp.com\/hildyjohnson.es\/wp-content\/uploads\/2011\/09\/elvelopintado.jpg?resize=1024%2C679&amp;ssl=1 1024w, https:\/\/i0.wp.com\/hildyjohnson.es\/wp-content\/uploads\/2011\/09\/elvelopintado.jpg?w=1168&amp;ssl=1 1168w, https:\/\/i0.wp.com\/hildyjohnson.es\/wp-content\/uploads\/2011\/09\/elvelopintado.jpg?w=1752&amp;ssl=1 1752w\" sizes=\"(max-width: 300px) 100vw, 300px\" data-recalc-dims=\"1\" \/><\/a><\/strong><\/p>\n<p><strong>William Somerset Maugham<\/strong>: les voy a contar un peque\u00f1o e intrascendente secreto: no he le\u00eddo ni una sola novela (ni relato, ni obra de teatro) de Maugham pero puedo decir a voz en grito que me gusta. Que le quiero. Porque sus relatos y novelas han inspirado pel\u00edculas fascinantes.<\/p>\n<p>Le leer\u00e9. Mientras le miro\u2026<\/p>\n<p>Desde el periodo mudo han estado sus historias. Porque Maugham es revisitado una y otra vez por distintas generaciones. As\u00ed descubro que Raoul Walsh, director de parche en el ojo, le adapt\u00f3 cinematogr\u00e1ficamente en los a\u00f1os 20. Ya les digo no voy a poder nombrar todas sus adaptaciones\u2026 tantas las que son.<\/p>\n<p>Me enamoro de <em>Lluvia<\/em>, esa historia donde una prostituta Sadie Thompson con cara de Joan Crawford es hostigada por un hombre de la iglesia, oscuro, un Walter Huston que quiere someterla a toda costa\u2026, pero est\u00e1n en los mares del Sur, en un ambiente sensual donde el tiempo hace cambiar los rumbos.<\/p>\n<p>Me impacta <em>Cautivo del deseo<\/em>, que adapta la <em>Servidumbre humana<\/em>, donde un triste estudiante, acomplejado por su cojera, cae en las redes de una camarera vulgar y con coraz\u00f3n oscuro. Sobresaliente un vulnerable Leslie Howard y una malvada con rostro de Bette Davis.<\/p>\n<p>Por ah\u00ed Greta Garbo se convierte en reina de un tri\u00e1ngulo amoroso en <em>El velo pintado<\/em> y el maestro del suspense, en su etapa brit\u00e1nica, ya nos cautiva con <em>El agente secreto<\/em>.<\/p>\n<p>El maestro del melodrama, William Wyler (\u00bfos he dicho ya que me encanta?) con su musa Bette Davis se deja llevar por el universo del escritor y nos traslada a historia oscura, como <em>La carta<\/em>, donde la hero\u00edna se va tejiendo una tela de ara\u00f1a fatal.<\/p>\n<p>\u2026 espero pronto vislumbrar <em>Luz en el alma<\/em> del maestro Siodmak, que tan buenos ratos me hace pasar y de paso amar un poquito m\u00e1s el cine. Me asombra que una historia negra tenga como protagonistas a Gene Kelly y Deanna Durbin (\u00bflos imaginan?).<\/p>\n<p>Goulding (no pod\u00eda ser de otra manera) se mete en el universo m\u00e1s filos\u00f3fico del autor con su adaptaci\u00f3n cinematogr\u00e1fica de una de sus novelas m\u00e1s famosas\u2026 <em>El filo de la navaja<\/em>. Seguimos a Tyrone Power buscando el sentido de la vida y no pod\u00eda faltar la mujer que no le comprende, bell\u00edsima Gene Tierney. Este director repiti\u00f3 con Maugham y repiti\u00f3 otra adaptaci\u00f3n de <em>Servidumbre humana<\/em>, esta vez con Eleanor Parker y Paul Henreid. No ser\u00e1 la \u00faltima, en 1964, es Kim Novak, la mujer sin coraz\u00f3n.<\/p>\n<p>Y en el siglo XXI el universo de Maugham regresa con fuerza con dos grandes pel\u00edculas (o al menos yo las disfrut\u00e9 como tales), la p\u00edcara a la vez que elegante <em>Conociendo a Julia <\/em>donde adem\u00e1s vivimos el ambiente del mundo del teatro brit\u00e1nico durante los a\u00f1os 30 con una Annette Bening impagable. Y la maravillosa <em>El velo pintado<\/em> de John Curran donde la transformaci\u00f3n del personaje de Edward Norton es hipnotizadora\u2026<\/p>\n<p>Esta obra est\u00e1 bajo una <a href=\"http:\/\/creativecommons.org\/licenses\/by-nc-nd\/3.0\/es\/\" target=\"_blank\">licencia de Creative Commons<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>William Somerset Maugham: les voy a contar un peque\u00f1o e intrascendente secreto: no he le\u00eddo ni una sola novela (ni relato, ni obra de teatro) de Maugham pero puedo decir a voz en grito que me gusta. Que le quiero. &hellip; <a href=\"https:\/\/hildyjohnson.es\/?p=1194\">Sigue leyendo <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":["post-1194","post","type-post","status-publish","format-standard","hentry","category-diccionario-cinematografico"],"jetpack_publicize_connections":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.3 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Diccionario cinematogr\u00e1fico (164) - El blog de Hildy Johnson<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/hildyjohnson.es\/?p=1194\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Diccionario cinematogr\u00e1fico (164) - El blog de Hildy Johnson\" \/>\n<meta property=\"og:description\" content=\"William Somerset Maugham: les voy a contar un peque\u00f1o e intrascendente secreto: no he le\u00eddo ni una sola novela (ni relato, ni obra de teatro) de Maugham pero puedo decir a voz en grito que me gusta. 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