{"id":1107,"date":"2011-08-30T16:46:16","date_gmt":"2011-08-30T14:46:16","guid":{"rendered":"http:\/\/hildyjohnson.es\/?p=1107"},"modified":"2011-08-30T16:50:35","modified_gmt":"2011-08-30T14:50:35","slug":"diccionario-cinematografico-161","status":"publish","type":"post","link":"https:\/\/hildyjohnson.es\/?p=1107","title":{"rendered":"Diccionario cinematogr\u00e1fico (161)"},"content":{"rendered":"<p><strong><a href=\"https:\/\/i0.wp.com\/hildyjohnson.es\/wp-content\/uploads\/2011\/08\/lejosdelcielo.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-1108\" title=\"lejosdelcielo\" src=\"https:\/\/i0.wp.com\/hildyjohnson.es\/wp-content\/uploads\/2011\/08\/lejosdelcielo-300x201.jpg?resize=300%2C201\" alt=\"\" width=\"300\" height=\"201\" srcset=\"https:\/\/i0.wp.com\/hildyjohnson.es\/wp-content\/uploads\/2011\/08\/lejosdelcielo.jpg?resize=300%2C201&amp;ssl=1 300w, https:\/\/i0.wp.com\/hildyjohnson.es\/wp-content\/uploads\/2011\/08\/lejosdelcielo.jpg?resize=1024%2C686&amp;ssl=1 1024w, https:\/\/i0.wp.com\/hildyjohnson.es\/wp-content\/uploads\/2011\/08\/lejosdelcielo.jpg?w=1168&amp;ssl=1 1168w, https:\/\/i0.wp.com\/hildyjohnson.es\/wp-content\/uploads\/2011\/08\/lejosdelcielo.jpg?w=1752&amp;ssl=1 1752w\" sizes=\"(max-width: 300px) 100vw, 300px\" data-recalc-dims=\"1\" \/><\/a><\/strong><\/p>\n<p><strong>Parejas en blanco y negro (primera parte): <\/strong>en <em>Una isla en el sol<\/em> corr\u00eda el a\u00f1o 1957 y todav\u00eda era de escandalo social ser una pareja en blanco y negro. Y esas parejas escandalosas se permit\u00eda que se amaran pero ninguna escena de beso apasionado. Herry Belafonte con Joan Fontaine. La Halle Berry del momento (Dorothy Dandridge) con un desconocido John Justin. Parejas resplandecientes en blanco y negro.<strong><\/strong><\/p>\n<p>Despu\u00e9s vendr\u00eda el hermoso Sidney Poitier\u2026 todav\u00eda era tema pol\u00e9mico y tocado con delicadeza. As\u00ed lo hace Kramer en comedia familiar <em>Adivina qui\u00e9n viene esta noche<\/em> en 1967. Han pasado diez a\u00f1os y una joven pareja, \u00e9l negro, ella blanca\u2026, sorprenden a ambas familias con sus ganas de casarse.<\/p>\n<p>Entre medias tienen problemas aquellos blancos con sangre negra en las venas y son desgraciados en amores y rechazados socialmente. As\u00ed surgen historias como <em>Pinky<\/em> de Elia Kazan, <em>La esclava libre<\/em> de Raoul Walsh o <em>Imitaci\u00f3n a la vida<\/em> de Douglas Sirk.<\/p>\n<p>La cantante Whitney Huston tuvo protagonismo en pel\u00edcula rom\u00e1ntico-cutre-caza l\u00e1grimas con su idilio de cantante famos\u00edsima que vive historia apasionada con su guardaespaldas cachas con cara de Kevin Costner. Fue todo un hito. Hablo claro de <em>El guardaespaldas<\/em>.<\/p>\n<p>Halle Berry emociona en historia dura, <em>Monster\u2019s Ball<\/em>, donde protagoniza una historia de amor entre un funcionario racista (Billy Bob Thornton) que trabaja en la prisi\u00f3n federal con los condenados a muerte, con much\u00edsimos problemas y conflictos, y una mujer a la que acaban de ejecutar a su marido, tambi\u00e9n con much\u00edsimos problemas y conflictos. Ambos unen sus soledades, sus problemas, conflictos y prejuicios y logran construir una historia en com\u00fan.<\/p>\n<p>Tambi\u00e9n Halle Berry es una mujer felizmente casada con David Duchovny y madre de dos hijos. Lo de que sean negra y blanco es algo totalmente anecd\u00f3tico y nada tiene que ver con la historia. Estoy hablando de <em>Cosas que perdimos en el fuego<\/em>.<\/p>\n<p>Spike Lee present\u00f3 historias interraciales en <em>Fiebre Salvaje<\/em>. Las caras eran de Annabella Sciorra y Wesley Snipes. Infidelidades matrimoniales.Todd Haynes revisita y recrea los mundos melodram\u00e1ticos de los a\u00f1os cincuenta a lo Sirk y exalta todo aquello que se intu\u00eda y ocultaba. As\u00ed, elegantemente, vivimos una historia de amor entre jardinero negro (Dennis Haysbert) y se\u00f1ora burguesa blanca e insatisfecha (Julianne Moore). Nos tenemos que ir <em>Lejos del cielo<\/em>. Mike Figgis nos presenta la historia de una infidelidad de una sola noche y de nuevo nos presenta el rostro de Wisley Snipes con una Nastassja Kinski en <em>Despu\u00e9s de una noche<\/em>.<\/p>\n<p>Tambi\u00e9n para la comedia hay historias de amor en blanco y negro. As\u00ed tenemos la deliciosa pel\u00edcula francesa <em>Mam\u00e1, hay un hombre blanco<\/em> en tu cama. Donde Daniel Auteuil y Firmine Richard protagonizan enredo encantador entre ejecutivo blanco y mujer de la limpieza negra.<\/p>\n<p align=\"right\"><em>Continuar\u00e1. Segunda sesi\u00f3n de parejas en blanco y negro donde nos encontraremos con pel\u00edculas como Cadena perpetua o Nadie me quiere\u2026<\/em><\/p>\n<p>\u00a0Esta obra est\u00e1 bajo una <a href=\"http:\/\/creativecommons.org\/licenses\/by-nc-nd\/3.0\/es\/\" target=\"_blank\">licencia de Creative Commons<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Parejas en blanco y negro (primera parte): en Una isla en el sol corr\u00eda el a\u00f1o 1957 y todav\u00eda era de escandalo social ser una pareja en blanco y negro. Y esas parejas escandalosas se permit\u00eda que se amaran pero &hellip; <a href=\"https:\/\/hildyjohnson.es\/?p=1107\">Sigue leyendo <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":["post-1107","post","type-post","status-publish","format-standard","hentry","category-diccionario-cinematografico"],"jetpack_publicize_connections":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.3 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Diccionario cinematogr\u00e1fico (161) - El blog de Hildy Johnson<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/hildyjohnson.es\/?p=1107\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Diccionario cinematogr\u00e1fico (161) - El blog de Hildy Johnson\" \/>\n<meta property=\"og:description\" content=\"Parejas en blanco y negro (primera parte): en Una isla en el sol corr\u00eda el a\u00f1o 1957 y todav\u00eda era de escandalo social ser una pareja en blanco y negro. 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